PRESS / TEXTS (SELECTION)

Notes on my work, Madeleine Boschan, July 2026

Contemporary Art Library: Madeleine Boschan’s Séjour at Bernd Kugler, Innsbruck, October, 2025

Markus Stegmayr, Blaugetränkter Wunsch nach Bleibenwollen, Kronenzeitung, 04.10.2025

Julia Brader, Poetische Denkräume, Tiroler Tageszeitung, 28.09.2025

Dominika Jerkic on Madeleine Boschan’s the striding, however, December 2024

Artviewer: Madeleine Boschan at Kebbel Villa, Schwandorf, October 27, 2024

Ulrike Jagla-Blankenburg: Relational Fields, Madeleine Boschan’s Lying on Stony Ground the Fragments at Gottfried Böhms St. Gertrud Church, Cologne, 2022

Ich bin in einem Space-Age-Wohnzimmer aufgewachsen, Ensuite – Magazin für Kunst & Kultur, Nr. 229, Bern, January 2022

Es gibt ja immer 360 mögliche Ansichten, conversation with Sebastian C. Strenger, Kunstmarktzeitung ZEIT, March 11, 2022

Gegenständlich. Anschaulich.,  Madeleine Boschan im Gespräch mit Andreas van Dühren in Interviews, ed. Andreas van Dühren, TEXT – Zeitschrift und Verlag e.K. Berlin 2021

up & coming, 22 Künstler von Morgen, Kunstmagazin Parnass, Vienna, August 26, 2021

A matter of perspective, MercedesMe and She´s Mercedes Magazine, March 2021

Ultimately everything is a novelty, a short retrospective film about the artist Madeleine Boschan produced by Aka Jisoro, June 2020

The Collectors Chronicle, Collectors Agenda, Vienna, 2019

Hannah Eckstein: Five Forms (gently and imperishably), Madeleine Boschan at Sunday_S Gallery, Copenhagen, Denmark, March 2019

Friederike Nymphius: Inscribing space, Madeleine Boschan’s BB 105 / 146, October 2017

Thomas Groetz on Madeleine Boschan’s Partance, May 2017

Hendrik Lakeberg: Swinging Utopia, February 2016

Art is no minigolf – course Madeleine Boschan in conversation with Florian Langhammer and Michael Wuerges for Collectors Agenda, Vienna, Austria, 2016 / 2017

Bridget Gleeson, Fresh Designs from a Modern Sculptor Invigorated by Architectural History, in: Artsy, March 21, 2016

Hans-Peter Söder: Zeit ist weil Poeten leben, in: Wendepunkt – Zeitschrift für eine neue Zeit, Verlag Christoph Dürr, München, Summer 2016

Kay Heymer: Everything, or in any case quite a lot, in: Madeleine Boschan . Technicolor: a) Feld, b) Fläche, ed. Christian Malycha and Anja Isabel Schneider for the Marburger Kunstverein, Harpune Verlag, Vienna 2015

Anja Isabel Schneider: Paratexts: Re / Positioning . E / Motion . Re / Turning, in: Madeleine Boschan . Technicolor: a) Feld, b) Fläche, ed. Christian Malycha and Anja Isabel Schneider for the Marburger Kunstverein, Harpune Verlag, Vienna 2015

Christian Malycha: partly because of … Frank O’Hara, in: Madeleine Boschan . Technicolor: a) Feld, b) Fläche, ed. Christian Malycha and Anja Isabel Schneider for the Marburger Kunstverein, Harpune Verlag, Vienna 2015

Tropicália, the L.A. River-bed, electric billboards, and … pastel colours, Madeleine Boschan in conversation with Peter Ibsen for Copenhagen Contemporary, August 2015

Den Ort interpretieren, Die Rheinpfalz, 22.5.2015

Lisa Felicitas Mattheis: Harte Fügungen, in: Madeleine Boschan. Thrénos, ed. Herrenhaus Edenkoben, 2015

A future in Bristish steel, a questionnaire by Gudrun Wurlitzer, Berlin, 2014

Birte Kleemann, Everything that can happen, does, for Hezi Cohen Gallery, 2013

Madeleine Boschan in conversation with Hendrik Lakeberg, in: Madeleine Boschan – Say a body. Where none. Say a place. Where none. For the body. To be in., ed. Monika Machnicki and Christian Malycha for Kunstverein Ulm, Q.H.S.O.I.Q.O.C.M.S., Berlin 2013

Jeni Fulton: Madeleine Boschan – The rise of machines in sculptures, in Friedrichshain. In: Sleek Magazine 37, pp 110–111, April 2013

Norbert Haas: Das Objekt klein a. In: Anwesenheit unerreichbarer Bezugspunkte, monograph published on the occasion of the solo show Madeleine Boschan – Anwesenheit unerreichbarer Bezugspunkte, Galerie Bernd Kugler, Innsbruck, 2013

Renate Wiehager on Madeleine Boschan. In: Accelerating toward Apocalypse (Private / Corporate VII), The Doron Sebbag Art Collection, ORS Ltd., Tel Aviv and the Daimler Art Collection, Stuttgart / Berlin, pp 98 – 101, 2012

Christian Malycha: Les Statues ne meurent pas. In: Luchas de Apuestas, monograph published on the occasion of the solo show Madeleine Boschan – Kayfabe, Galerie Bernd Kugler, Innsbruck, 2011