Edition What lays bare in me (strawberry)

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Edition of 7 unique pieces

signed, numbered and dated on certificate

available @ Collectors Agenda

Edition What lays bare in me (turquoise)

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Edition of 7 unique pieces

signed, numbered and dated on certificate

Edition What lays bare in me (lilac)

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Edition of 7 unique pieces

signed, numbered and dated on certificate

Edition What lays bare in me (salmon)

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Edition of 7 unique pieces

signed, numbered and dated on certificate

Edition What lays bare in me (lemon)

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Edition of 7 unique pieces

signed, numbered and dated on certificate

Edition What lays bare in me (teal)

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Edition of 7 unique pieces

signed, numbered and dated on certificate

Edition What lays bare in me

Madeleine Boschan, Vienna 2017

laquered aluminum
41 x 21 x 9 cm (16.1 x 8.3 x 3.5 in)

Colors: light salmon, light turquoise, light yellow, lilac, rust, strawberry red, teal
Edition of 7 unique pieces

signed, numbered and dated on certificate

Madeleine Boschan’s seemingly architectural sculptures, massive, yet elegant and even fragile, generate within their proximity an energy that causes thoughts and even bodies to vibrate. The relationship between space and body and the resulting implications constitute a decisive element in Boschan’s work.

In this unique seven-part edition What lays bare in me, created exclusively for Collectors Agenda, Madeleine Boschan suggests that architecture is much more than the fundamental human need to create a roof over one’s head. In a serious appreciation of architecture therefore, it must be perceived as inherently utopian; Madeleine Boschan’s most recent work configured in this edition represents a subtle study of this inherent prerequisite.

Every sculpture emits its own, very particular attraction. Each individual angulation informs of its unique character and is further confirmed by its coloration.