Edition Paris 1922

Madeleine Boschan, Berlin 2014

coated aluminium blinds fixed on paper
29,7 x 21,2 cm

Edition of 10 unique pieces

signed, numbered and dated verso

Paris.
A young Ernest Hemingway loses everything — his early manuscripts, stolen at the station. What remains is radical clarity. Reduction. Discipline. A beginning without sentimentality.

Paris 1922 translates that very moment into material.

Aluminium blinds.
Rivets.
Workprint paper.

Industrial precision meets vulnerable surface.
Opening and closure at once.
An object suspended between control and loss.

Created in 2014 especially for JAGLA Ausstellungsraum, Cologne, the edition accompanied Boschan’s exhibition Deal with’em— a title that, like Hemingway’s stance, speaks of existential acceptance: take the cards you’re dealt. And play.

This is not illustration.
It is attitude made matter.

10 unique works.
Signed, dated, and numbered on the reverse.

Each sheet varies subtly — a decision that cannot be undone.

It is a statement about loss as the origin of form. And Boschan knows.

Edition Paris 1922 (5 | 10)

Madeleine Boschan, Berlin 2014

coated aluminium blinds fixed on paper
29,7 x 21,2 cm

Edition of 10 unique pieces

signed, numbered and dated verso

Edition Paris 1922 (7 | 10)

Madeleine Boschan, Berlin 2014

coated aluminium blinds fixed on paper
29,7 x 21,2 cm

Edition of 10 unique pieces

signed, numbered and dated verso

Edition Paris 1922 (8 | 10)

Madeleine Boschan, Berlin 2014

coated aluminium blinds fixed on paper
29,7 x 21,2 cm

Edition of 10 unique pieces

signed, numbered and dated verso

Edition Paris 1922 (9 | 10)

Madeleine Boschan, Berlin 2014

coated aluminium blinds fixed on paper
29,7 x 21,2 cm

Edition of 10 unique pieces

signed, numbered and dated verso